RIP Maurice Sendak, Author of Where the Wild Things Are

If you were born in the 80s or any time thereafter, you probably loved Where the Wild Things Are when you were a child. Which means today is a sad day for you. Hey, did you know Maurice Sendak was gay? And snarky? Is the "Wild Rumpus" a euphemism for sex? Check out this interview Stephen Colbert did with Maurice Sendak.

            <table style='font:11px arial; color:#333; background-color:#f5f5f5' cellpadding='0' cellspacing='0' width='512' height='340'><tbody><tr style='background-color:#e5e5e5' valign='middle'><td style='padding:2px 1px 0px 5px;'><a target='_blank' style='color:#333; text-decoration:none; font-weight:bold;' href='http://www.colbertnation.com'>The Colbert Report</a></td><td style='padding:2px 5px 0px 5px; text-align:right; font-weight:bold;'>Mon - Thurs 11:30pm / 10:30c</td></tr><tr style='height:14px;' valign='middle'><td style='padding:2px 1px 0px 5px;' colspan='2'><a target='_blank' style='color:#333; text-decoration:none; font-weight:bold;' href='http://www.colbertnation.com/the-colbert-report-videos/406796/january-24-2012/grim-colberty-tales-with-maurice-sendak-pt--1'>Grim Colberty Tales with Maurice Sendak Pt. 1</a></td></tr><tr style='height:14px; background-color:#353535' valign='middle'><td colspan='2' style='padding:2px 5px 0px 5px; width:512px; overflow:hidden; text-align:right'><a target='_blank' style='color:#96deff; text-decoration:none; font-weight:bold;' href='http://www.colbertnation.com/'>www.colbertnation.com</a></td></tr><tr valign='middle'><td style='padding:0px;' colspan='2'></td></tr><tr style='height:18px;' valign='middle'><td style='padding:0px;' colspan='2'><table style='margin:0px; text-align:center' cellpadding='0' cellspacing='0' width='100%' height='100%'><tr valign='middle'><td style='padding:3px; width:33%;'><a target='_blank' style='font:10px arial; color:#333; text-decoration:none;' href='http://www.colbertnation.com/full-episodes/'>Colbert Report Full Episodes</a></td><td style='padding:3px; width:33%;'><a target='_blank' style='font:10px arial; color:#333; text-decoration:none;' href='http://www.indecisionforever.com/'>Political Humor & Satire Blog</a></td><td style='padding:3px; width:33%;'><a target='_blank' style='font:10px arial; color:#333; text-decoration:none;' href='http://www.colbertnation.com/video'>Video Archive</a></td></tr></table></td></tr></tbody></table>

        And if you want more, here's an interview with Maurice on NPR.

Writing the First Chapter of A Novel

Why Authors Need Twitter

I wrote an article for Opportunities Planeet on why artists, authors, or anyone who needs to market a product should be on Twitter.

For Anyone Looking to Market a Product, Twitter Can Be Even More Important Than Facebook

Twitter is the second-most popular social network in the world, and the ninth most-most popular website worldwide. But I believe for marketing, Twitter is the most important social media account to have. First let me say I’m comparing Twitter to Facebook not because they are the most similar, or because I think you should neglect to promote yourself on Facebook. I compare Twitter to Facebook because most people see Facebook as an important part of their marketing strategy, while neglecting the little blue bird. Sure, Facebook is the second-most popular website in the world. But most of the people who use it expect it to be a personal space. Facebook is where people share photos of their vacation and videos of kittens. You are expected to have one profile for all the different “hats” you wear, encompassing what you do at work, how you spend your free time, what music enjoy and what stories you’ve been reading…the whole kit and caboodle. Twitter allows you to brand yourself. You can have a multitude of Twitter profiles and no one frowns upon it as they would if you had a variety of Facebook personae. This means if you’ve written the book Zombies With Guns you can have a Twitter feed that focuses exclusively on weapons, ammo, and surviving the zombie apocalypse. On Facebook, your friends and family would be irritated by your constant stream of zombie and gun info, because they are not your target audience. On Twitter, your account is specifically for that purpose, so all of your followers would be people interested in that kind of content. Sure, you can get fifty of your friends to like your company on Facebook, but on Twitter those followers are not your pals but potential customers. Facebook has created a number of ways to compete with this advantage. They created groups, then changed, them, and are now getting rid of them. They created company pages. But in my experience, it is harder to gain followers of a Facebook company page than a Twitter page, even though many more people are on Facebook! That’s because people go to Facebook to talk to people they already know in real life. People go to Twitter to find out what’s going on in the world and to receive updates on their favorite subjects.

Read the rest of the article
at Opportunities Planet

Veterans in Fiction: We're Going To Be Seeing More of This

Last night on Glee, one of the male leads announced he was going to enlist. Glee  is as campy as it is liberal, so it was expected that hunky but nosey teacher Will Shooster would try to stop Finn from becoming another dead hero, like his father. I was expecting the typical "don't do it son; it's not worth it" speech. The twist they threw down was much more honest.

In the scene, Finn's mother reveals that his dad didn't die in the war after all. In some fine acting from Romy Rosemont, she says, "I don't know if he did something or saw something or just lost his way but...he broke."

It was just a matter of time before the fiction of today began increasingly to deal with the plight of traumatized veterans and their impact on society. Post WWI we had Virginia Woolf's shell shocked vets, while much of E.E. Cummings poetry centered around his own struggle with life during wartime and we saw a slew of post-Vietnam characters in 80s movies. The same theme is returning to our stories as more soldiers return from Iraq and Aphganistan. More writers will know vets who've lost their way, or will hear of their stories from others and want to write about them. Drug addiction amongst veterans is always higher than the general population--it's a population that's not scared of the dangers and often much in need of "better living through chemistry." Moreover, often their position overseas gives them easy access to drugs.This scene in Glee where we find out Finn's father died of a drug overdose could just as easily have been written about Vietnam. Yet because drug addiction amongst soldiers is seldom talked about it makes me wonder if the writer behind this scene knew a veteran in this situation.

Either way, we're going to see more of this. In 2000, a show about bootleggers wouldn't have focused on returing veterans. Today Boardwalk Empire is so interwined with the story of psychotic WWI vets that it states them as the cause of the bootlegging gangsterism the show covers. What other shows are there that deal with PTSD and drug use among returning veterans? I'd like to ponder this more. The plight of the returning soldier says "War is hell" better than any flag-waving or flag-burning speech ever does.

Nicholas Carr on E-Books

via online.wsj.com

Nicholas Carr has an article in The Wall Street Journal about the malleability of e-books. Because a digital edition can be perpetually edited, it is never officially finished. He muses on how intrusive school boards and dictators will tinker in otherwise "published" e-books.

The section that interested me most (as I've pondered the article's subject before) was this:

What may be more insidious is the pressure to fiddle with books for commercial reasons. Because e-readers gather enormously detailed information on the way people read, publishers may soon be awash in market research. They'll know how quickly readers progress through different chapters, when they skip pages, and when they abandon a book.

I can absolutely see publishers doing this. It could create a world where books are tailored to fit a majority, in the same way market testing has resulted in a bevy of cookie-cutter movies. On the other hand, one could argue that this isn't so different from the modern writers' workshop.

One issue the article doesn't delve into is how editable e-books can encourage more collaborative reading. One could imagine people trading versions of the Bible annotated by Christopher Hitchens or popular novels with erotic fan-fic written in, or copies of The Da Vinci Code with embedded photos of the art mentioned in the story. You'd end up with a variety of specially named editions floating around.

This would all serve to add to the notion of the physical book as a collectors item. With e-books as ephemeral, the printed book may continue to exist as the authority on what the final, official draft is. In the future when print runs decrease dramatically, having a personal copy of the rare, unchanging, printed book will give its owner a certain authority on the text and having a personal library will again become a status symbol.

"Specific suggestion: General strike" By Garret Keizer

As for how the strike would be publicized and organized, these would depend on the willingness to strike itself. The greater the willingness, the fewer the logistical requirements. How many Americans does it take to change a lightbulb? How many Web postings, how many emblazoned bedsheets hung from the upper-story windows? Think of it this way: How many hours does it take to learn the results of last night’s American Idol, even when you don’t want to know?

In 1943 the Danes managed to save 7,200 of their 7,800 Jewish neighbors from the Gestapo. They had no blogs, no television, no text messaging—and very little time to prepare. They passed their apartment keys to the hunted on the streets. They formed convoys to the coast. An ambulance driver set out with a phone book, stopping at any address with a Jewish-sounding name. No GPS for directions. No excuse not to try.

But what if it failed? What if the general strike proved to be anything but general? I thought Bush was supposed to be the one afraid of science. Hypothesis, experiment, analysis, conclusion—are they his hobgoblins or ours? What do we have to fear, except additional evidence that George W. Bush is exactly what he appears to be: the president few of us like and most of us deserve. But science dares to test the obvious. So let us dare.

When I heard that Oakland is planning a general strike for November 2nd, I went and pulled up this fantastic article written by Garret Keizer for Harpers magazine back in 2006. It is among the best essays I've ever read.

I will post more excerpts from this on Subversive Soapbox but you should really just go read the rest of it right now.

Gus

Getting published: See Yourself in Print #1

Because books are my bread and butter folks occasionally ask me how they might get into the business of being a writer. There are a lot of things you can do to get your polished prose in the hands of booksellers. Note that this isn't about self-publishing, but getting your book printed the old fashioned way.

Image thanks to Barbara Moldenhauer

The simplest way to do this is to start a blog. A lot of potential author's worry about "giving away" too much info on a blog, so that there is nothing left for their book. Unless you write poetry, this is a non-issue and obsessing over it only looks unprofessional. It turns out people have no problem buying a book that reproduces the content of a blog they can read online for free. Go figure. And if consumers will buy it, somewhere there's a publisher who will publish it. Sites like Stuff White People Like, XKCD, and the Oatmeal don't worry about giving away too much.

Of course, once you're a blogger you have to start worrying about SEO and keeping up with other people's blogs and all kinds of HTML nonsense that has fuck all to do with writing your manifesto. Starting a blog is in some ways like joining a virtual, global community. If you're not interested in the existing community that exists around the glockenspiel, why would you expect anyone to read your potential book, Stop, Drop and Glock: How the Glockenspiel Will Set Your Roof on Fire? So while it is a lot of work, that work is seeding potential fans of your obsession (It is an obsession, right? If not, why bother?).

Another way to establish expertise is to write guest posts on other people's blogs, or articles for local newspapers. However, this is easier to set up if you already have a blog in the first place. Otherwise, what can you point them to that shows you have something to say on the subject?

Local organizing can be useful as well, but remember publishers are looking to sell your book all over the country. A monthly meet-up of thirty people isn't going to impress Simon & Schuster.

Building expertise is less true with fiction, but it is still true. Many writers now are experimenting with keeping up a blog about their process. This can include research notes, advice, and inspiration. There are sites like Urbis.com where writers upload pieces of their draft to be critcized by other writers. This is another way of joining communities and building a fan base.

This seems like a lot of work, doesn't it? It is. But if you've chosen your subject matter wisely it turns out to be just another way to immerse yourself in a subject you are passionate about.

The Berkeley Kite Festival

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